Writing Creative Audio

with Siobhan McHugh, Founding Editor RadioDoc Review, journal of critical analysis of radio documentaries and podcasts 

A six-day residential masterclass focusing on writing creative audio

McHUGH SiobhanAt Varuna, the National Writers' House in the world heritage Blue Mountains, NSW

Monday 5 - Sunday 11 November 2018
Applications close 13 August 2018

Writing Creative Audio Residential Masterclass includes:

• Private writing time in your own writing studio
• One-on-one consultations as well as group sessions led by Siobhan McHugh
• Six days' accommodation at Varuna including meals

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About Siobhan McHugh
 

Siobhán McHugh is a documentary-maker, oral historian and writer, whose passion is the affective power of audio storytelling and the burgeoning power of podcasting.Her books on the Snowy Mountains Scheme (The Snowy – The People Behind the Power) and Australian women's role in the Vietnam war (Minefields and Miniskirts) began life as audio interviews, crafted into radio documentary. Her work has won prestigious awards, including the NSW Premier's Prize for non-fiction and a gold medal at the New York Radio Festival. She has made over 60 radio documentaries for ABC, RTE and SBS and in 2013 founded the first journal of radio documentary studies, RadioDoc Review. Siobhan is an internationally recognized podcasting critic, who has spoken on panels alongside Dana Chivvis, producer of Serial, and Sarah Van Mosel, Content CEO of Acast podcast network. She is Senior Lecturer in Journalism at the University of Wollongong. Website: siobhanmchugh.org



Writing Creative Audio

Audio is the new black. Online delivery systems from podcasting to streaming have seen a renaissance in radio documentaries and features: audio stories which range from highly crafted reportage and narrative journalism to intimate personal accounts and fictional works. This revitalisation is partly due to the ease and economy of digital audio production – even audio rookies can quickly learn how to make broadcast-quality digital stories and disseminate them as podcasts. Exemplars of the audio storytelling form such as Serial, This American Life and Radiolab attract huge transnational audiences, while new outlets such as the indie Radiotopia and Gimlet networks and Malcolm Gladwell’s Revisionist History in the US and Earshot, Radiotonic, PocketDocs and Soundproof on ABC RN test the dynamism of the form. Print media outlets from The New Yorker to The Australian are also developing initiatives to help print journalists modify a story to suit podcast delivery – a process with which Siobhan is actively involved.

Through a mixture of structured and unstructured writing sessions you will examine in some detail the specific attributes of creating audio stories. This will include listening to and critiquing diverse audio features, from winners of the Prix Italia and Third Coast Audio Festivals to quirky shorts, experimental work and radio essays.

Through these sessions we will consider: the essential differences of writing a story to be listened to and writing a story to be read, the various elements that makes audio stories work (such as voice, tone, character, sound, rhythm, pace, mix and silence), the skills and technical tools of creating audio stories, as well as emerging opportunities for writers wanting to create audio stories.

To see if this workshop is for you, listen to:
(a) any of the non-fiction audio works online at RadioDoc Review and read the accompanying critiques  - linked here
(b) The Living Room: link is  http://loveandradio.org/2015/03/the-living-room/
If they appeal, you should consider applying.

How much does it cost

The fee for the residency is $1750. This residency includes accommodation, workshops and meals.
A special discount is available to all financial Varuna Alumni of $1450.
This workshop is an advanced workshop limited to four participants.


How to apply

Varuna is now accepting applications for the Writing Creative Audio Residential Masterclass.

Writers interested in participating in Writing Creative Audio Residential Masterclass need to submit an Expression of Interest (EOI) online to Varuna. Your EOI should include a short, specific statement letting us know what you would most like to gain or to work on during the week as well as a half page synopsis and up to five pages that are indicative of your most recent and relevant work. Please describe your experience in the audio medium (if any).

Please save your EOI as a PDF with the file name: YOUR NAME CREATIVE AUDIO EOI (eg 'MARY SMITH CREATIVE AUDIO EOI') and submit online to Varuna by 5pm (EST) on 13 August 2018.  
Applicants will be notified of the selection outcome by 27 August 2018.


More information

If you need further information about the application process email This email address is being protected from spambots. You need JavaScript enabled to view it. or phone 02 4782 5674. Regarding the residency please contact Amy Sambrooke Varuna Creative Director, This email address is being protected from spambots. You need JavaScript enabled to view it.

Preparing your submission

Submission (electronic copy only)
Please download the application cover sheet, fill out and attach your submission (see above for what to include), ready to upload when you complete the online application form.

The cover sheet includes:
• Your personal contact details
• Brief publication history
• What you would most like to gain or work on during the Residential Masterclass

Your application cover sheet and submission should be saved and uploaded as a single PDF document.
Please save your EOI as a PDF with the file name: YOUR NAME CREATIVE AUDIO EOI (eg MARY SMITH CREATIVE AUDIO EOI)

Online Application Form

Fill out all the fields and upload your prepared EOI submission.

In submitting an application, applicants agree to the following conditions:
• Applications must comply with the program's requirements.
• Applicants must be 18 years or older.
• Submitted material must be the applicant's own original work.
• Submissions including application cover sheet must be uploaded (electronically) by the deadline.
• Application materials are not returned under any circumstances. After the selection process is finished, materials are responsibly disposed of.
• Individual feedback is not provided to unsuccessful applicants.
• Varuna retains information from application forms for one year.

When you submit your application you will see a 'Thank You' screen indicating that your submission has been uploaded and the data sent to Varuna.
Your application is complete. If there are any issues, Varuna will be in touch by email.

Disclaimer: Varuna reserves the right to make changes to its advertised programs and all applications are accepted subject to this proviso.

Click HERE to go to the online APPLICATION FORM - applications for Writing Creative Audio Residential Masterclass are now being accepted and close 13 August 2018.

 

Reading & Writing the Short Story

with Tegan Bennett Daylight

A six-day residency reading, writing and talking about the art and craft of the short story with Tegan Bennett Daylight.
At Varuna, the National Writers House in the Blue Mountains, NSW.

BENNETT-DAYLIGHT-TeganMonday 6 November to Sunday 12 November 2017
Applications close 30 August

The Reading and Writing the Short Story Residency includes:
Private writing time in your own writing studio
• One on one consultation as well as group sessions led by Tegan Bennett Daylight
• Six nights accommodation at Varuna including meals

 

About Tegan Bennett Daylight
Tegan Bennett Daylight is a fiction writer, essayist, critic and lecturer in writing. Her short stories have appeared in journals such as Best Australian Stories, Griffith Review and New Australian Stories. Her collection of short stories, Six Bedrooms, was shortlisted for the Stella Prize, the ALS Gold Medal, and the Steele Rudd Award. She is an experienced teacher and workshop leader and has been teaching the short story for many years.

Reading and Writing the Short Story
In this week we will be reading some of the greatest short stories from writers as varied as Anton Chekhov and Lydia Davis, as well as writing our own. Each writer will be asked to bring a short story in progress to be shared with the group and reflected on in the context of the short story today. We'll look at some practical advice on starting, finishing and selling a short story, but also talk about the more intangible subjects: inspiration, impulse, form and subject matter. Each writer will have a private session with Tegan, as well as participating in group sessions. Most significantly, a substantial part of the week will be devoted to the practice of writing, in the private, quiet and inspirational surroundings of Varuna, the National Writers House.

What Writers Say

It was such a relief not to have sessions segmented into discrete topics – characterisation, plot, setting etc – but to have instead an intelligent, searching and challenging conversation on the work each of us was engaged with, our individual processes, the source of our work, the reading that nourished and stimulated and provoked and inspired us. Tegan created a space for all this to happen. Add to this the ‘collective will’ of the group of writers – my idea of heaven!
Janey Runci, 2014 participant

I wanted to let you know how the Varuna experience at the 2014 Short Story Focus Week with Tegan Bennett Daylight has benefited my writing!
In 2015 I won the national Emerging Writer award in the New England Crime Fiction Short Story competition, being commended in the general category. Later that year I was runner-up in the National 90th Anniversary Society of Women Writers Short Story Prize.
In 2016 I won the prestigious (and lucrative!) Newcastle Short Story prize and have 2 of my prize-winning short stories published in the 2016 Award Winning Australian Writing anthology which was just launched in Melbourne.
I can truly say that my time at Varuna with Tegan was the catalyst for these very affirming developments.
Lynne Cook, 2014 participant


How much does it cost

The fee for the residency is $1,750 including accommodation, workshops and meals.
A special discount is available to all financial Varuna Alumni of $1,450.

How to apply
Varuna will accept applications for the Reading and Writing the Short Story Focus Week from 2 August 2017.

Writers interested in participating in the Reading and Writing the Short Story Week need to submit a short Expression of Interest (EOI) to Varuna in an online application. Your EOI should include a short, specific statement letting us know what you would most like to gain or to work on during the week, a sample of your short story writing (up to 20 pages) and a paragraph about your experience as a writer. Please also include a cover sheet with your name and contact details.

Please save your EOI and your submission (up to 20 pages of short stories), including the downloadable cover sheet, as a single document in PDF format. The title of your saved document should include your name and the words ‘SHORT STORY EOI’ (eg 'Mary Smith SHORT STORY EOI'). Then submit your submission online to Varuna by 5pm (EST) on 30 August 2017.
Please remember to include your name and short story EOI in the subject header.
Applicants will be notified of the selection outcome by 8 September 2017.

More information
If you need further information about the application process email This email address is being protected from spambots. You need JavaScript enabled to view it. or about the residency please contact the Varuna Creative Director at Varuna by email This email address is being protected from spambots. You need JavaScript enabled to view it. or by phone 02-4782 5674.
Further information about staying at Varuna and our programs can be found on our website.

Click here to go back to Focus Week information.

Click HERE to go to GUIDELINES and APPLICATION FORM - applications for the Reading and Writing the Short Story Focus Week will be accepted from 2 August to 30 August 2017